The Full Court Press demo was recorded over a couple days at the MRC in the later part of 2007. It was a lot of fun, especially once all the naughty words were cut out due to the lyrics policy, leaving it sounding like some radio version of an MTV song. We went back in and patched up the vocals, and actually came out with a demo we were pretty proud of. Sure, the musicwriting is hackneyed and everything we ever wrote (other than The Realness) is on the same subject, but it was still a lot of fun. The recording quality on this is pretty good, and we spent a little while mixing it. Unfortunately, the files are really large, which I apologize for, but it's still pretty solid overall.
Band bio from the hardcopy zine:
Full Court Press: 2007-2008
Jake Schmitt — Vocals
Chris Becker — Guitar
Marley Grant — Bass
Jesse Uriss — Drums
Kind of a reaction to the streetpunk / 80's hardcore vibe going on in town, FCP formed to give a desperately needed modern 'core or youth crew touch to local music. Originally Noah and Jake were going to split vox, but Noah pulled out after a few months and left us stranded. We persevered though, and put out a 4-song demo of epic cruciality, and started bringing the mosh to DUST. It wasn't really that good or that inventive, but FCP formed a cult of personality, and people always sang along. Some of the most intense live shows this town has ever had were from us; The Realness personally ruined a few people's nights. There are some videos floating around on YouTube, if you care to look.
Anyway, we got around to recording another demo with Daniel at the end of the summer of Two-thousand and Hate, but that has mysteriously disappeared. We did, too, shortly thereafter, because Jake went off to college. However, one of our final shows, with Weekend Nachos at the Bridge, will forever define for me all that a Charlottesville show can be. If you were there, you know.
www.myspace.com/fullcourtpresshc
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